Why? The film doesn't even acknowledge that there are people out there asking the question, never mind attempting to suggest an answer. Men, women and children throughout the Muslim world, and, as the film makes clear, in America's and Europe's cities, are eager to blow themselves up, as long as they can take some infidels with them. Dan risks his humanity by making his living beating and humiliating other men. Maya sacrificed years of her life to the hunt for Osama bin Laden. "Zero Dark Thirty" sidesteps key questions.
I think the same material could have been better treated in a documentary with selective re-enactments. I wasn't entertained, and my understanding and worldview were not expanded.
I want to be made to identify with a character and I want, through that identification, to learn more about life, or I want to be entertained. I want them to do to me what drama can do. I wish I had gone to see a film built around his character and his performance.
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His depiction of his work as just another job – he could be playing a bus driver with the same amount and degree of expressiveness – is provocative. Dan humiliates, beats, and water boards suspects, and then feeds them delicious meals of hummus and olives when they deliver. Jason Clarke is very strong and charismatic as Dan, a CIA interrogator. All I kept thinking was, "Jessica Chastain is being praised for *this* performance? Why?" The dullness of her performance, and the underwritten character, made it almost impossible for me to lose myself in the story, such as it was. I didn't care about this character at all. We know nothing about her, except that she was recruited to the CIA while in high school – we are never told what would draw the CIA to a high school student. CIA agent Maya, played by Jessica Chastain, is the closest the film has to a main character. Characters are given no backstory and no character arch. "Zero" makes no attempt to draw the viewer in with any human sentiment. There are also scenes in offices where characters stare intently at computer screens or interrogation videos, and characters yell at each other and use obscenities, as their frustrating hunt for Osama bin Laden wears them down. Scenes consist of depictions of beating and water boarding of detainees in order to gather information, agents stalking a suspect in Pakistan's crowded, chaotic bazaars, terrorist bombings, assassinations and assassination attempts. Episodic scenes occur in a choppy manner, one after the other. That sequence is so professionally shot it could be actual documentary footage. Its strongest feature is its dramatization of the Navy Seal Team 6 operation in Abbottabad, Pakistan, that killed bin Laden. Or if you want something European (because Bigelow it seem to me that she wants to copy some of the European ways to shoot images) take a look at Beyond the Hills."Zero Dark Thirty" is a grim, clinical depiction of the CIA search for Osama bin Laden. You’d better watch Tinke Taylor Soldier Spy or even Looper, at least you’ll get entertain.
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Sometimes steady, most of time shaky, the camera is so confusing, especially in small spaces that you don’t know what the director want to say anymore….Īnd the script is as shallow as a B series movie… Kathryn Bigelow tried the Hurt Locker recipe once again but this time her way to shoot just couldn’t make anything understandable and bearable. The film is boring, the plot is childish and Maya it seems to be a little bit psychotic. Poor screenplay, poor dialogs, extremely bad actors and some strange and disturbing way of directing for a two hour and a half movie. Zero Dark Thirty dvdrip movie, Zero Dark Thirty dvdrip movie,
Download.Ī chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L.
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